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op-eds
From Automatic to Osees: Eight New Rock and Punk Releases
November 15, 2025
On Obscurity and Discovery
November 3, 2025
Saturation
August 23, 2025
Call to Kensington Jazz
July 6, 2025
Why Trent Reznor Is Gay
June 28, 2025
Misdiagnosing Jeon Jeongguk
December 21, 2024
The Slayification of Addison Rae
December 19, 2024
Continuity: Ryuichi Sakamoto and “Tong Poo”
November 10, 2024
You Actually Do Get Classical Music
November 1, 2024
On Whereabouts
September 1, 2024
You Mean Troy Barnes is a Rapper Now?!
May 17, 2024
Night Time, My Time
April 28, 2024
Chronically Online & More Than Self-Aware
April 17, 2024
A Reflection on Tracy Chapman’s Self-Titled Record
February 12, 2024
A Hedonist’s Reprieve
February 4, 2024
ALL MY HEROES ARE [REDACTED]
January 25, 2024
With Love from the 21st Century
January 20, 2024
A Note on Serendipity
September 27, 2023
Justice and the Politics of Mushrooms
November 21, 2022
SEVENTEEN Reasons That I Don’t Trust Award Shows
September 26, 2022
TikTok and Small Artists
September 17, 2020
An Ode to Peter Green
August 11, 2020
The Love and the Pain of the Local Show Scene
April 10, 2020
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